The Ramayana-Book V-Sec 1- Canto XIX.: Síta's Fear.
Nov 19, 2018 12:22:55 GMT 1
Post by Anne Terri on Nov 19, 2018 12:22:55 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK V
CANTO XIX.: SÍTA'S FEAR.
Then o'er the lady's soul and frame
A sudden fear and trembling came,
When, glowing in his youthful pride,
She saw the monarch by her side.
Silent she sat, her eyes depressed,
Her soft arms folded o'er her breast,
And,--all she could,--her beauties screened
From the bold gazes of the fiend.
There where the wild she-demons kept
Their watch around, she sighed and wept.
Then, like a severed bough, she lay
Prone on the bare earth in dismay.
The while her thoughts on love's fleet wings
Flew to her lord the best of kings.
She fell upon the ground, and there
Lay struggling with her wild despair,
Sad as a lady born again
To misery and woe and pain,
Now doomed to grief and low estate,
Once noble fair and delicate:
Like faded light of holy lore,
Like Hope when all her dreams are o'er;
Like ruined power and rank debased,
Like majesty of kings disgraced:
Like woman *** led by erring slips,
The moon that labors in eclipse
A pool with all her lillies* dead
An army when its king has fled:
So sad and helpless wan and worn,
She lay among the fiends forlorn.
Then o'er the lady's soul and frame
A sudden fear and trembling came,
When, glowing in his youthful pride,
She saw the monarch by her side.
Silent she sat, her eyes depressed,
Her soft arms folded o'er her breast,
And,--all she could,--her beauties screened
From the bold gazes of the fiend.
There where the wild she-demons kept
Their watch around, she sighed and wept.
Then, like a severed bough, she lay
Prone on the bare earth in dismay.
The while her thoughts on love's fleet wings
Flew to her lord the best of kings.
She fell upon the ground, and there
Lay struggling with her wild despair,
Sad as a lady born again
To misery and woe and pain,
Now doomed to grief and low estate,
Once noble fair and delicate:
Like faded light of holy lore,
Like Hope when all her dreams are o'er;
Like ruined power and rank debased,
Like majesty of kings disgraced:
Like woman *** led by erring slips,
The moon that labors in eclipse
A pool with all her lillies* dead
An army when its king has fled:
So sad and helpless wan and worn,
She lay among the fiends forlorn.
Footnotes
406:1 Rávan is one of those beings who can 'limb* them as they will' and can of course assume the loveliest form to please human eyes as well as the terrific* shape that sits * the king of the Rákshas.
406:2 White and lovely as the Arant or nectar recovered from the depths of the Milky Sea when churned by the assembled Gods. See Book I. Canto XLV.
Next: The Ramayana-Book V-Sec 1- Canto XX.: Rávan's Wooing.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.