The Ramayana-Bk IV-S1 -Canto XIII.The Return To Kishkindhá.

[Anne Terri]

"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*

THE RÁMÁYAN OF VÁLMÍKI

Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]

RAMAYANA-
BOOK IV

CANTO XIII.: THE RETURN TO KISHKINDHÁ.

Thus with Sugríva, from the side
Of Rishyamuka, Ráma hied,
And stood before Kishkindhá's gate
Where Báli kept his regal state.
The hero in his warrior hold
Raised his great bow adorned with gold,
And drew his pointed arrow bright
As sunbeams, finisher of fight.
Strong-necked Sugríva led the way
With Lakshman mighty in the fray.
Nala and Níla came behind
With Hanumán of lofty mind.
And valiant Tára, last in place,
A leader of the Vánar race.
They gazed on many a tree that showed
The glory of its pendent load,
And brook and limpid rill that made
Sweet murmurs as they seaward strayed.
They looked on caverns dark and deep,
On bower and glen and mountain steep,
And saw the opening lotus stud
With roseate cup the crystal flood,
While crane and swan and coot and drake
Made pleasant music on the lake,
And from the reedy bank was heard
The note of many a happy bird.
In open lawns, in tangled ways,
They saw the tall deer stand at gaze,
Or marked them free and fearless roam,
Fed with sweet grass, their woodland home.
At times two flashing tusks between
The wavings of the wood were seen,
And some mad elephant, alone,
Like a huge moving hill, was shown.
And scarcely less in size appeared
Great monkeys all with dust besmeared.
And various birds that roam the skies,
And silvan creatures, met their eyes,
As through the wood the chieftains sped,
Anil followed where Sugríva led.
Then Ráma, as their way they made,
Saw near at hand a lovely shade,
And, as he gazed upon the trees,
Spake to Sugríva words like these;
'Those stately trees in beauty rise,
Fair as a cloud in autumn skies,
I fain, my friend, would learn from thee
What pleasant grove is that I see.'
Thus Ráma spake, the mighty souled;
And thus his tale Sugríva told:
'That, Ráma, is a wide retreat
That brings repose to weary feet.
Bright streams and fruit and roots are there,
And shady gardens passing fair.
There, neath the roof of hanging boughs,
The sacred Seven maintained their vows.
Their heads in dust were lowly laid,
In streams their nightly beds were made.
Each seventh night they broke their fast,
But air was still their sole repast,
And when seven hundred years were spent
To homes in heaven the hermits went.
Their glory keeps the garden yet,
With walls of stately trees beset.
Scarce would the Gods and demons dare,
By Indra led, to enter there.
No beast that roams the wood is found,
No bird of air, within the bound;
Or, thither if they idly stray,
They find no more their homeward way.
You hear at times mid dulcet tones
The chime of anklets, rings, and zones.
You hear the song and music sound,
And heavenly fragrance breathes around,
There duly burn the triple fires 1
Where mounts the smoke in curling spires,
And, in a dun wreath, hangs above
The tall trees, like a brooding dove.
Round brunch and crest the vapours close
Till every tree enveloped shows
A hill of lazulite when clouds
Hang round it with their misty shrouds.
With Lakshman, lord of Raghu's line,
In reverent guise thine head incline,
And with fixt heart and suppliant hand
Give honour to the sainted band.
They who with faithful hearts revere
The holy Seven who harboured here,
Shall never, son of Raghu, know
In all their lives an hour of woe.'
Then Ráma and his brother bent.
And did obeisance reverent
With suppliant hand and lowly head,
Then with Sugríva onward sped.
Beyond the sainted Seven's abode
Far on their way the chieftains strode,
And great Kishkindhá's portal gained,
The royal town where Báli reigned.
Then by the gate they took their stand
All ready armed a noble band,
And burning every one
To slay in battle, hand to hand,
Their foeman, Indra's son,

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Next: The Ramayana-Book IV-Sec 1- Canto XIV.: The Challenge.

The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia

“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN” 

*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.

Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.