The Ramayana-Book III-Sec 1-Canto XXV.: The Battle.
Oct 20, 2018 16:50:52 GMT 1
Post by Anne Terri on Oct 20, 2018 16:50:52 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK III
CANTO XXV.: THE BATTLE.
When Khara with the hosts he led
Drew near to Ráma's leafy shed,
He saw that queller of the foe
Stand ready with his ordered bow.
He saw, and burning at the view
His clanging bow he raised and drew,
And bade his driver urge apace
His car to meet him face to face.
Obedient to his master's hest
His eager steeds the driver pressed
On to the spot where, none to aid,
The strong-armed chief his weapon swayed.
Soon as the children of the night
Saw Khara rushing to the fight,
p. 258
His lords with loud unearthly cry
Followed their chief and gathered nigh.
As in his car the leader rode
With all his lords around, he showed
Like the red planet fiery Mars
Surrounded by the lesser stars.
Then with a horrid yell that rent
The air, the giant chieftain sent
A thousand darts in rapid shower
On Ráma matchless in his power.
The rovers of the night, impelled
By fiery rage which naught withheld,
Upon the unconquered prince, who strained
His fearful bow, their arrows rained.
With sword and club, with mace and pike,
With spear and axe to pierce and strike,
Those furious fiends on every side
The unconquerable hero plied.
The giant legions huge and strong,
Like clouds the tempest drives along,
Rushed upon Ráma with the speed
Of whirling car, and mounted steed,
And hill-like elephant, to slay
The matchless prince in battle fray.
Then upon Ráma thick and fast
The rain of mortal steel they cast,
As labouring clouds their torrents shed
Upon the mountain-monarch's 1 head.
As near and nearer round him drew
The warriors of the giant crew,
He showed like S'iva girt by all
His spirits when night's shadows fall.
As the great deep receives each rill
And river rushing from the hill,
He bore that flood of darts, and broke
With well-aimed shaft each murderous stroke.
By stress of arrowy storm assailed,
And wounded sore, he never failed,
Like some high mountain which defies
The red bolts flashing from the skies.
With ruddy streams each limb was dyed
From gaping wounds in breast and side,
Showing the hero like the sun
'Mid crimson clouds ere day is done.
Then, at that sight of terror, faint
Grew God, Gandharva, sage, and saint,
Trembling to see the prince oppose
His single might to myriad foes.
But waxing wroth, with force unspent,
He strained his bow to utmost bent,
And forth his arrows keen and true
In hundreds, yea in thousands flew,--
Shafts none could ward, and none endure:
Death's fatal noose was scarce so sure.
As 'twere in playful ease he shot
His gilded shafts, and rested not.
With swiftest flight and truest aim
Upon the giant hosts they came.
Each smote, each stayed a foeman's breath
As fatal as the coil of Death,
Each arrow through a giant tore
A passage, and besmeared with gore,
Pursued its onward way and through
The air with flamy brilliance flew.
Unnumbered were the arrows sent
From the great bow which Ráma bent,
And every shaft with iron head
The lifeblood of a giant shed.
Their pennoned bows were cleft, nor mail
Nor shield of hide could aught avail.
For Ráma's myriad arrows tore
Through arms, and bracelets which they wore,
And severed mighty warriors' thighs
Like trunks of elephants in size,
And cut resistless passage sheer
Through gold-decked horse and charioteer,
Slew elephant and rider, slew
The horseman and the charger too,
And infantry unnumbered sent
To dwell 'neath Yama's government.
Then rose on high a fearful yell
Of rovers of the night, who fell
Beneath that iron torrent, sore
Wounded by shafts that rent and tore.
So mangled by the ceaseless storm
Of shafts of every kind and form,
Such joy they found, as forests feel
When scorched by flame, from Ráma's steel.
The mightiest still the fight maintained,
And furious upon Ráma rained
Dart, arrow, spear, with wild attacks
Of mace, and club, and battle-axe.
But the great chief, unconquered yet,
Their weapons with his arrows met,
Which severed many a giant's head,
And all the plain with corpses spread.
With sundered bow and shattered shield
Headless they sank upon the field,
As the tall trees, that felt the blast
Of Garud's wing, to earth were cast.
The giants left unslaughtered there
Where filled with terror and despair,
And to their leader Khara fled
Faint, wounded, and discomfited.
These fiery Dúshan strove to cheer,
And poised his bow to calm their fear;
Then fierce as He who rules the dead,
When wroth, on angered Ráma sped.
By Dúshan cheered, the demons cast
Their dread aside and rallied fast
With Sáls, rocks, palm-trees in their hands
With nooses, maces, pikes, and brands,
Again upon the godlike man
The mighty fiends infuriate ran,
These casting rocks like hail, and these
A whelming shower of leafy trees.
Wild, wondrous fight, the eye to scare,
And raise on end each shuddering hair,
p. 259
As with the fiends who loved to rove
By night heroic Ráma strove!
The giants in their fury plied
Ráma with darts on every side.
Then, by the gathering demons pressed
From north and south and east and west,
By showers of deadly darts assailed
From every quarter fiercely hailed,
Girt by the foes who swarmed around,
He raised a mighty shout whose sound
Struck terror. On the giant crew
His great Gándharva 1 arrow flew.
A thousand mortal shafts were rained
From the orbed bow the hero strained,
Till east and west and south and north
Were filled with arrows volleyed forth.
They heard the fearful shout: they saw
His mighty hand the bowstring draw,
Yet could no wounded giant's eye
See the swift storm of arrows fly.
Still firm the warrior stood and cast
His deadly missiles thick and fast.
Dark grew the air with arrowy hail
Which hid the sun as with a veil.
Fiends wounded, falling, fallen, slain,
All in a moment, spread the plain,
And thousands scarce alive were left
Mangled, and gashed, and torn, and cleft.
Dire was the sight, the plain o'erspread
With trophies of the mangled dead.
There lay, by Ráma's missiles rent,
Full many a priceless ornament,
With severed limb and broken gem,
Hauberk and helm and diadem.
There lay the shattered car, the steed,
The elephant of noblest breed,
The splintered spear, the shivered mace,
Chouris and screens to shade the face.
The giants saw with bitterest pain
Their warriors weltering on the plain,
Nor dared again his might oppose
Who scourged the cities of his foes.
Footnotes
257:1b See Additional Notes--DAKSHA'S SACRIFICE.
258:1 Himálaya.
Next: The Ramayana-Book III-Sec 1- Canto XXVI.: Dúshan's Death.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK III
Next: The Ramayana-Book III-Sec 1-
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.