The Ramayana-Book II-Sec 3 Canto CXVI.: The Hermit's Speech.
Oct 12, 2018 12:51:57 GMT 1
Post by Anne Terri on Oct 12, 2018 12:51:57 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK II
CANTO CXVI.: THE HERMIT'S SPEECH.
When Bharat took his homeward road
Still Ráma in the wood abode:
But soon he marked the fear and care
That darkened all the hermits there.
For all who dwelt before the hill
Were sad with dread of coming ill:
Each holy brow was lined by thought,
And Ráma's side they often sought.
With gathering frowns the prince they eyed,
And then withdrew and talked aside.
Then Raghu's son with anxious breast
The leader of the saints addressed:
'Can aught that I have done displease,
O reverend Sage, the devotees?
Why are their loving looks, O say,
Thus sadly changed or turned away?
Has Lakshman through his want of heed
Offended with unseemly deed!
Or is the gentle Sítá, she
Who loved to honour you and me--
Is she the cause of this offence,
Failing in lowly reverence?'
One sage, o'er whom, exceeding old,
Had many a year of penance rolled,
Trembling in every aged limb
Thus for the rest replied to him:
'How could we, O beloved, blame
Thy lofty-souled Videhan dame,
Who in the good of all delights,
And more than all of anchorites?
But yet through thee a numbing dread
Of fiends among our band has spread;
Obstructed by the demons' art
The trembling hermits talk apart.
For Rávan's brother, overbold,
Named Khara, of gigantic mould,
Vexes with fury fierce and fell
All those in Janasthán 1 who dwell.
Resistless in his cruel deeds,
On flesh of men the monster feeds:
Sinful and arrogant is he,
And looks with special hate on thee.
Since thou, beloved son, hast made
Thy home within this holy shade,
The fiends have vexed with wilder rage
The dwellers of the hermitage.
In many a wild and dreadful form
Around the trembling saints they swarm,
With hideous shape and foul disguise
They terrify our holy eyes.
They make our loathing souls endure
Insult and scorn and sights impure,
And flocking round the altars stay
The holy rites we love to pay.
In every spot throughout the grove
With evil thoughts the monsters rove,
Assailing with their secret might
Each unsuspecting anchorite.
Ladle and dish away they fling,
Our fires with floods extinguishing,
And when the sacred flame should burn
They trample on each water-urn.
Now when they see their sacred wood
Plagued by this impious brotherhood,
The troubled saints away would roam
And seek in other shades a home:
Hence will we fly, O Ráma, ere
The cruel fiends our bodies tear.
Not far away a forest lies
Rich in the roots and fruit we prize,
To this will I and all repair
And join the holy hermits there;
Be wise, and with us thither flee
Before this Khara injure thee.
Mighty art thou, O Ráma, yet
Each day with peril is beset.
If with thy consort by thy side
Thou in this wood wilt still abide.'
He ceased: the words the hero spake
The hermit's purpose failed to break:
To Raghu's son farewell he said,
And blessed the chief and comforted;
Then with the rest the holy sage
Departed from the hermitage.
So from the wood the saints withdrew,
And Ráma bidding all adieu
In lowly reverence bent:
Instructed by their friendly speech,
Blest with the gracious love of each,
To his pure home he went.
Nor would the son of Raghu stray
A moment from that grove away
From which the saints had fled.
And many a hermit thither came
Attracted by his saintly fame
And the pure life he led.
When Bharat took his homeward road
Still Ráma in the wood abode:
But soon he marked the fear and care
That darkened all the hermits there.
For all who dwelt before the hill
Were sad with dread of coming ill:
Each holy brow was lined by thought,
And Ráma's side they often sought.
With gathering frowns the prince they eyed,
And then withdrew and talked aside.
Then Raghu's son with anxious breast
The leader of the saints addressed:
'Can aught that I have done displease,
O reverend Sage, the devotees?
Why are their loving looks, O say,
Thus sadly changed or turned away?
Has Lakshman through his want of heed
Offended with unseemly deed!
Or is the gentle Sítá, she
Who loved to honour you and me--
Is she the cause of this offence,
Failing in lowly reverence?'
One sage, o'er whom, exceeding old,
Had many a year of penance rolled,
Trembling in every aged limb
Thus for the rest replied to him:
'How could we, O beloved, blame
Thy lofty-souled Videhan dame,
Who in the good of all delights,
And more than all of anchorites?
But yet through thee a numbing dread
Of fiends among our band has spread;
Obstructed by the demons' art
The trembling hermits talk apart.
For Rávan's brother, overbold,
Named Khara, of gigantic mould,
Vexes with fury fierce and fell
All those in Janasthán 1 who dwell.
Resistless in his cruel deeds,
On flesh of men the monster feeds:
Sinful and arrogant is he,
And looks with special hate on thee.
Since thou, beloved son, hast made
Thy home within this holy shade,
The fiends have vexed with wilder rage
The dwellers of the hermitage.
In many a wild and dreadful form
Around the trembling saints they swarm,
With hideous shape and foul disguise
They terrify our holy eyes.
They make our loathing souls endure
Insult and scorn and sights impure,
And flocking round the altars stay
The holy rites we love to pay.
In every spot throughout the grove
With evil thoughts the monsters rove,
Assailing with their secret might
Each unsuspecting anchorite.
Ladle and dish away they fling,
Our fires with floods extinguishing,
And when the sacred flame should burn
They trample on each water-urn.
Now when they see their sacred wood
Plagued by this impious brotherhood,
The troubled saints away would roam
And seek in other shades a home:
Hence will we fly, O Ráma, ere
The cruel fiends our bodies tear.
Not far away a forest lies
Rich in the roots and fruit we prize,
To this will I and all repair
And join the holy hermits there;
Be wise, and with us thither flee
Before this Khara injure thee.
Mighty art thou, O Ráma, yet
Each day with peril is beset.
If with thy consort by thy side
Thou in this wood wilt still abide.'
He ceased: the words the hero spake
The hermit's purpose failed to break:
To Raghu's son farewell he said,
And blessed the chief and comforted;
Then with the rest the holy sage
Departed from the hermitage.
So from the wood the saints withdrew,
And Ráma bidding all adieu
In lowly reverence bent:
Instructed by their friendly speech,
Blest with the gracious love of each,
To his pure home he went.
Nor would the son of Raghu stray
A moment from that grove away
From which the saints had fled.
And many a hermit thither came
Attracted by his saintly fame
And the pure life he led.
p. 226
Footnotes
225:1 A part of the great Dandak forest.
Next: The Ramayana-Book II-Sec 3-Canto CXVII.: Anasúyá.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.