The Ramayana-Book III-Contents
Oct 12, 2018 12:28:27 GMT 1
Post by Anne Terri on Oct 12, 2018 12:28:27 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
Title Page (Here)
Invocation
BOOK III
CANTO I-XL-Section 1
Canto I.: The Hermitage.
Canto II.: Virádha.
Canto III.: Virádha Attacked.
Canto IV.: Virádha's Death.
Canto V.: S'arabhanga.
Canto VI.: Ráma's Promise.
Canto VII.: Sutíkshna.
Canto VIII.: The Hermitage.
Canto IX.: Sita's Speech.
Canto X.: Ráma's Reply.
Canto XI.: Agastya.
Canto XII.: The Heavenly Bow.
Canto XIII.: Agastya's Counsel.
Canto XIV.: Jatáyus.
Canto XV.: Panchavatt.
Canto XVI.: Winter.
Canto XVII.: S'u'panakha'
Canto XVIII.: The Mutilation.
Canto XIX.: The Rousing of Khara.
Canto XX.: The Giants' Death.
Canto XXI.: The Rousing of Khara.
Canto XXII: Khara's Wrath.
Canto XXIII.: The Omens.
Canto XXIV.: The Host In Sight.
Canto XXV.: The Battle.
Canto XXVI.: Dúshan's Death.
Canto XXVII.: The Death of Tris'iras.
Canto XXVIII.: Khara Dismounted.
Canto XXIX.: Khara's Defeat.
Canto XXX.: Khara's Death.
Canto XXXI.: Rávan
Canto XXXII.: Rávan Roused.
Canto XXXIII.: Súrpanakhá's Speech.
Canto XXXIV.: Sûrpanakhá's Speech.
Canto XXXV.: Rávan's Journey.
Canto XXXVI.: Rávan's Speech.
Canto XXXVII.: Márícha's Speech.
Canto XXXVIII.: Márícha's Speech.
Canto XXXIX.: Márícha's Speech.
Canto XL.: Rávan's Speech.
CANTO XLI-LXXVI -Section 2
Canto XLI.: Márícha's Reply.
Canto XLII.: Márícha Transformed.
Canto XLIII.: The Wondrous Deer.
Canto XLIV: Artcha's Death
Canto XLV.: Lakshman's Departure.
Canto XLVI.: The Guest.
Canto XLVII: Rávan's Wooing.
Canto XLVIII: Rávan's Speech.
Canto XLIX.: The Rape of Sitá.
Canto L.: Jatáyus.
Canto LI.: The Combat.
Canto LII.: Rávan's Flight.
Canto LIII.: Sitá's Threats.
Canto LIV.: Lanká.
Canto LV.: Sítá In Prison.
Canto LVI.: Sítá's Disdain.
Canto LVII.: Sítá Comforted.
Canto LVIII.: The Brothers' Meeting.
Canto LIX.: Ráma's Return.
Canto LX.: Lakshman Reproved.
Canto LXI.: Ráma's Lament.
Canto LXII.: Ráma's Lament.
Canto LXIII.: Ráma's Lament.
Canto LXIV.: Rama's Lament.
Canto LXV.: Rama's Wrath.
Canto LXVI.: Lakshman's Speech.
Canto LXVII.: Ráma Appeased.
Canto LXVIII.: Jatáyus.
Canto LXIX.: The Death of Jatáyus.
Canto LXX.: Kabandha.
Canto LXXI.: Kabandha's Speech.
Canto LXXII.: Kabandha's Tale.
Canto LXXIII.: Kabandha's Counsel.
Canto LXXIV.: Kabandha's Death.
Canto LXXV.: Savari
Canto LXXVI.: Pampá.
BOOKS IV
VI
VII to be added in the future
APPENDICES
Appendices
Index of Principal Names
Errata
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.