The Ramayana-Book II-Sec 3 - Canto XCVI. : The Magic Shaft.
Oct 8, 2018 16:46:20 GMT 1
Post by Anne Terri on Oct 8, 2018 16:46:20 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK II
CANTO XCVI. 1b: THE MAGIC SHAFT.
Thus Rama showed to Janak's child
The varied beauties of the wild,
The hill, the brook and each fair spot,
Then turned to seek their leafy cot.
North of the mountain Rama found
A cavern in the sloping ground,
Charming to view, its floor was strown
With many a mass of ore and stone,
In secret shadow far retired
Where gay birds sang with joy inspired,
And trees their graceful branches swayed
With loads of blossom downward weighed.
Soon as he saw the cave which took
Each living heart and chained the look,
Thus Rama spoke to Sita, who
Gazed wondering on the silvan view:
'Does this fair cave beneath the height,
Videhan lady, charm thy sight?
Then let us resting here a while
The languor of the way beguile.
That block of stone so smooth and square
Was set for thee to rest on there,
And like a thriving Kes'ar tree
This flowery shrub o'ershadows thee.'
Thus Rama spoke, and Janak's child,
By nature ever soft and mild,
In tender words which love betrayed
Her answer to the hero made:
'O pride of Raghu's children, still
My pleasure is to do thy will.
Enough for me thy wish to know:
Far hast thou wandered to and fro.'
Thus Sita spake in gentle tone,
And went obedient to the stone,
Of perfect face and faultless limb
Prepared to rest a while with him.
And Rama, as she thus replied,
Turned to his spouse again and cried:
'Thou seest, love, this flowery shade
For silvan creatures' pleasure made,
How the gum streams from trees and plants
Torn by the tusks of elephants!
p. 205
Through all the forest clear and high
Resounds the shrill cicala's cry.
Hark how the kite above us moans,
And calls her young in piteous tones;
So may my hapless mother be
Still mourning in her home for me.
There mounted on that lofty Sál
The loud Bhringráj 1 repeats his call:
How sweetly now he tunes his throat
Responsive to the Koïl's note.
Or else the bird that now has sung
May be himself the Koïl's young,
Linked with such winning sweetness are
The notes he pours irregular.
See, round the blooming Mango clings
That creeper with her tender rings,
So in thy love, when none is near,
Thine arms are thrown round me, my dear.'
Thus in his joy he cried; and she,
Sweet speaker, on her lover's knee,
Of faultless limb and perfect face,
Grew closer to her lord's embrace.
Reclining in her husband's arms,
A goddess in her wealth of charms,
She filled his loving breast anew
With mighty joy that thrilled him through.
His finger on the rock he laid,
Which veins of sanguine ore displayed,
And painted o'er his darling's eyes
The holy sign in mineral dyes.
Bright on her brow the metal lay
Like the young sun's first gleaming ray,
And showed her in her beauty fair
As the soft light of morning's air.
Then from the Kes'ar's laden tree
He picked fair blossoms in his glee,
And as he decked each lovely tress,
His heart o'erflowed with happiness.
So resting on that rocky seat
A while they spent in pastime sweet,
Then onward neath the shady boughs
Went Ráma with his Maithil spouse.
She roaming in the forest shade
Where every kind of creature strayed
Observed a monkey wandering near,
And clung to Ráma's arm in fear.
The hero Ráma fondly laced
His mighty arms around her waist,
Consoled his beauty in her dread,
And scared the Monkey till he fled.
That holy mark of sanguine ore
That gleamed on Sítá's brow before,
Shone by that close embrace impressed
Upon the hero's ample chest.
Then Sítá, when the beast who led
The monkey troop, afar had fled,
Laughed loudly in light-hearted glee
That mark on Ráma's chest to see.
A clump of bright As'okas fired
The forest in their bloom attired:
The restless blossoms as they gleamed
A host of threatening monkeys seemed.
Then Sítá thus to Ráma cried,
As longingly the flowers she eyed:
'Pride of thy race, now let us go
Where those As'oka blossoms grow.'
He on his darling's pleasure bent
With his fair goddess thither went
And roamed delighted through the wood
Where blossoming As'okas stood,
As S'iva with Queen Umá roves
Through Himaván's majestic groves.
Bright with purpureal glow the pair
Of happy lovers sported there,
And each upon the other set
A flower-inwoven coronet.
There many a crown and chain they wove
Of blooms from that As'oka grove,
And in their graceful sport the two
Fresh beauty o'er the mountain threw.
The lover let his love survey
Each pleasant spot that round them lay,
Then turned they to their green retreat
Where all was garnished, gay, and neat.
By brotherly affection led,
Sumitrá's son to meet them sped,
And showed the labours of the day
Done while his brother was away.
There lay ten black-deer duly slain
With arrows pure of poison stain,
Piled in a mighty heap to dry,
With many another carcass nigh.
And Lakshman's brother saw, o'erjoyed,
The work that had his hands employed,
Then to his consort thus he cried:
'Now be the general gifts supplied.'
Then Sítá, fairest beauty, placed
The food for living things to taste,
And set before the brothers meat
And honey that the pair might eat.
They ate the meal her hands supplied,
Their lips with water purified:
Then Janak's daughter sat at last
And duly made her own repast.
The other venison, to be dried,
Piled up in heaps was set aside,
And Ráma told his wife to stay
And drive the flocking crows away.
Her husband saw her much distressed
By one more bold than all the rest,
Whose wings where'er he chose could fly,
Now pierce the earth, now roam the sky.
Then Ráma laughed to see her stirred
To anger by the plaguing bird:
Proud of his love the beauteous dame
With burning rage was all aflame.
Now here, now there, again, again
She chased the crow, but all in vain,
Enraging her, so quick to strike
p. 206
With beak and wing find claw alike:
Then how the proud lip quivered, how
The dark frown marked her angry brow!
When Ráma saw her cheek aglow
With passion, he rebuked the crow.
But bold in impudence the bird,
With no respect for Ráma's word,
Fearless again at Sítá flew:
Then Ráma's wrath to fury grew.
The hero of the mighty arm
Spoke o'er a shaft the mystic charm,
Laid the dire weapon on his bow
And launched it at the shameless crow.
The bird, empowered by Gods to spring
Through earth itself on rapid wing,
Through the three worlds in terror fled
Still followed by that arrow dread.
Where'er he flew, now here now there,
A cloud of weapons filled the air.
Back to the high-souled prince he fled
And bent at Ráma's feet his head,
And then, as Sítá looked, began
His speech in accents of a man:
'O pardon, and for pity's sake
Spare, Ráma, spare my life to take!
Where'er I turn, where'er I flee,
No shelter from this shaft I see.'
The chieftain heard the crow entreat
Helpless and prostrate at his feet,
And while soft pity moved his breast,
With wisest speech the bird addressed:
'I took the troubled Sítá's part,
And furious anger filled my heart.
Then on the string my arrow lay
Charmed with a spell thy life to slay.
Thou seekest now my feet, to crave
Forgiveness and thy life to save.
So shall thy prayer have due respect:
The suppliant I must still protect.
But ne'er in vain this dart may flee;
Yield for thy life a part of thee,
What portion of thy body, say,
Shall this mine arrow rend away?
Thus far, O bird, thus far alone
On thee my pity may be shown.
Forfeit a part thy life to buy:
'Tis better so to live than die.'
Thus Ráma spoke: the bird of air
Pondered his speech with anxious care,
And wisely deemed it good to give
One of his eyes that he might live.
To Raghu's son he made reply:
'O Ráma, I will yield an eye.
So let me in thy grace confide
And live hereafter single-eyed.'
Then Ráma charged the shaft, and lo,
Full in the eye it smote the crow.
And the Videhan lady gazed
Upon the ruined eye amazed.
The crow to Ráma humbly bent,
Then where his fancy led he went.
Ráma with Lakshman by his side
With needful work was occupied.
Thus Rama showed to Janak's child
The varied beauties of the wild,
The hill, the brook and each fair spot,
Then turned to seek their leafy cot.
North of the mountain Rama found
A cavern in the sloping ground,
Charming to view, its floor was strown
With many a mass of ore and stone,
In secret shadow far retired
Where gay birds sang with joy inspired,
And trees their graceful branches swayed
With loads of blossom downward weighed.
Soon as he saw the cave which took
Each living heart and chained the look,
Thus Rama spoke to Sita, who
Gazed wondering on the silvan view:
'Does this fair cave beneath the height,
Videhan lady, charm thy sight?
Then let us resting here a while
The languor of the way beguile.
That block of stone so smooth and square
Was set for thee to rest on there,
And like a thriving Kes'ar tree
This flowery shrub o'ershadows thee.'
Thus Rama spoke, and Janak's child,
By nature ever soft and mild,
In tender words which love betrayed
Her answer to the hero made:
'O pride of Raghu's children, still
My pleasure is to do thy will.
Enough for me thy wish to know:
Far hast thou wandered to and fro.'
Thus Sita spake in gentle tone,
And went obedient to the stone,
Of perfect face and faultless limb
Prepared to rest a while with him.
And Rama, as she thus replied,
Turned to his spouse again and cried:
'Thou seest, love, this flowery shade
For silvan creatures' pleasure made,
How the gum streams from trees and plants
Torn by the tusks of elephants!
p. 205
Through all the forest clear and high
Resounds the shrill cicala's cry.
Hark how the kite above us moans,
And calls her young in piteous tones;
So may my hapless mother be
Still mourning in her home for me.
There mounted on that lofty Sál
The loud Bhringráj 1 repeats his call:
How sweetly now he tunes his throat
Responsive to the Koïl's note.
Or else the bird that now has sung
May be himself the Koïl's young,
Linked with such winning sweetness are
The notes he pours irregular.
See, round the blooming Mango clings
That creeper with her tender rings,
So in thy love, when none is near,
Thine arms are thrown round me, my dear.'
Thus in his joy he cried; and she,
Sweet speaker, on her lover's knee,
Of faultless limb and perfect face,
Grew closer to her lord's embrace.
Reclining in her husband's arms,
A goddess in her wealth of charms,
She filled his loving breast anew
With mighty joy that thrilled him through.
His finger on the rock he laid,
Which veins of sanguine ore displayed,
And painted o'er his darling's eyes
The holy sign in mineral dyes.
Bright on her brow the metal lay
Like the young sun's first gleaming ray,
And showed her in her beauty fair
As the soft light of morning's air.
Then from the Kes'ar's laden tree
He picked fair blossoms in his glee,
And as he decked each lovely tress,
His heart o'erflowed with happiness.
So resting on that rocky seat
A while they spent in pastime sweet,
Then onward neath the shady boughs
Went Ráma with his Maithil spouse.
She roaming in the forest shade
Where every kind of creature strayed
Observed a monkey wandering near,
And clung to Ráma's arm in fear.
The hero Ráma fondly laced
His mighty arms around her waist,
Consoled his beauty in her dread,
And scared the Monkey till he fled.
That holy mark of sanguine ore
That gleamed on Sítá's brow before,
Shone by that close embrace impressed
Upon the hero's ample chest.
Then Sítá, when the beast who led
The monkey troop, afar had fled,
Laughed loudly in light-hearted glee
That mark on Ráma's chest to see.
A clump of bright As'okas fired
The forest in their bloom attired:
The restless blossoms as they gleamed
A host of threatening monkeys seemed.
Then Sítá thus to Ráma cried,
As longingly the flowers she eyed:
'Pride of thy race, now let us go
Where those As'oka blossoms grow.'
He on his darling's pleasure bent
With his fair goddess thither went
And roamed delighted through the wood
Where blossoming As'okas stood,
As S'iva with Queen Umá roves
Through Himaván's majestic groves.
Bright with purpureal glow the pair
Of happy lovers sported there,
And each upon the other set
A flower-inwoven coronet.
There many a crown and chain they wove
Of blooms from that As'oka grove,
And in their graceful sport the two
Fresh beauty o'er the mountain threw.
The lover let his love survey
Each pleasant spot that round them lay,
Then turned they to their green retreat
Where all was garnished, gay, and neat.
By brotherly affection led,
Sumitrá's son to meet them sped,
And showed the labours of the day
Done while his brother was away.
There lay ten black-deer duly slain
With arrows pure of poison stain,
Piled in a mighty heap to dry,
With many another carcass nigh.
And Lakshman's brother saw, o'erjoyed,
The work that had his hands employed,
Then to his consort thus he cried:
'Now be the general gifts supplied.'
Then Sítá, fairest beauty, placed
The food for living things to taste,
And set before the brothers meat
And honey that the pair might eat.
They ate the meal her hands supplied,
Their lips with water purified:
Then Janak's daughter sat at last
And duly made her own repast.
The other venison, to be dried,
Piled up in heaps was set aside,
And Ráma told his wife to stay
And drive the flocking crows away.
Her husband saw her much distressed
By one more bold than all the rest,
Whose wings where'er he chose could fly,
Now pierce the earth, now roam the sky.
Then Ráma laughed to see her stirred
To anger by the plaguing bird:
Proud of his love the beauteous dame
With burning rage was all aflame.
Now here, now there, again, again
She chased the crow, but all in vain,
Enraging her, so quick to strike
p. 206
With beak and wing find claw alike:
Then how the proud lip quivered, how
The dark frown marked her angry brow!
When Ráma saw her cheek aglow
With passion, he rebuked the crow.
But bold in impudence the bird,
With no respect for Ráma's word,
Fearless again at Sítá flew:
Then Ráma's wrath to fury grew.
The hero of the mighty arm
Spoke o'er a shaft the mystic charm,
Laid the dire weapon on his bow
And launched it at the shameless crow.
The bird, empowered by Gods to spring
Through earth itself on rapid wing,
Through the three worlds in terror fled
Still followed by that arrow dread.
Where'er he flew, now here now there,
A cloud of weapons filled the air.
Back to the high-souled prince he fled
And bent at Ráma's feet his head,
And then, as Sítá looked, began
His speech in accents of a man:
'O pardon, and for pity's sake
Spare, Ráma, spare my life to take!
Where'er I turn, where'er I flee,
No shelter from this shaft I see.'
The chieftain heard the crow entreat
Helpless and prostrate at his feet,
And while soft pity moved his breast,
With wisest speech the bird addressed:
'I took the troubled Sítá's part,
And furious anger filled my heart.
Then on the string my arrow lay
Charmed with a spell thy life to slay.
Thou seekest now my feet, to crave
Forgiveness and thy life to save.
So shall thy prayer have due respect:
The suppliant I must still protect.
But ne'er in vain this dart may flee;
Yield for thy life a part of thee,
What portion of thy body, say,
Shall this mine arrow rend away?
Thus far, O bird, thus far alone
On thee my pity may be shown.
Forfeit a part thy life to buy:
'Tis better so to live than die.'
Thus Ráma spoke: the bird of air
Pondered his speech with anxious care,
And wisely deemed it good to give
One of his eyes that he might live.
To Raghu's son he made reply:
'O Ráma, I will yield an eye.
So let me in thy grace confide
And live hereafter single-eyed.'
Then Ráma charged the shaft, and lo,
Full in the eye it smote the crow.
And the Videhan lady gazed
Upon the ruined eye amazed.
The crow to Ráma humbly bent,
Then where his fancy led he went.
Ráma with Lakshman by his side
With needful work was occupied.
Footnotes
204:1b This canto is allowed, by Indian commentators, to be an interpolation. It cannot be the work of Valmiki.
205:1 A fine bird with a strong, sweet note, and great imitative powers.
Next: The Ramayana-Book II-Sec 3 - Canto XCVII.: Lakshman's Anger.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.