The Ramayana-Book II-Sec 2 -Canto LIX: Das'aratha's Lament.
Sept 28, 2018 10:30:54 GMT 1
Post by Anne Terri on Sept 28, 2018 10:30:54 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK II
CANTO LIX: DAS'ARATHA'S LAMENT.
As thus Sumantra, best of peers,
Told his sad tale with many tears,
The monarch cried, 'I pray thee, tell
At length again what there befell.'
Sumantra, at the king's behest,
Striving with sobs he scarce repressed,
His trembling voice at last controlled,
And thus his further tidings told:
'Their locks in votive coils they wound,
Their coats of bark upon them bound,
To Gangá's farther shore they went,
Thence to Prayág their steps were bent.
I saw that Lakshman walked ahead
To guard the path the two should tread.
So far I saw, no more could learn,
Forced by the hero to return.
Retracing slow my homeward course,
Scarce could I move each stubborn horse:
Shedding hot tears of grief he stood
When Ráma turned him to the wood. 1
As the two princes parted thence
I raised my hands in reverence,
Mounted my ready car, and bore
The grief that stung me to the core.
With Guha all that day I stayed,
Still by the earnest hope delayed
That Ráma, ere the time should end,
Some message from the wood might send.
Thy realms, great Monarch, mourn the blow,
And sympathize with Ráma's woe.
p. 165
Each withering tree hangs low his head,
And shoot, and bud, and flower are dead.
Dried are the floods that wont to fill
The lake, the river, and the rill.
Drear is each grove and garden now,
Dry every blossom on the bough.
Each beast is still, no serpents crawl:
A lethargy of woe on all.
The very wood is silent: crushed
With grief for Ráma, all is hushed.
Fair blossoms from the water born,
Gay garlands that the earth adorn,
And every fruit that gleams like gold,
Have lost the scent that charmed of old.
Empty is every grove I see,
Or birds sit pensive on the tree.
Where'er I look, its beauty o'er,
The pleasance charms not as before.
I drove through fair Ayodhyá's street:
None flew with joy the car to meet.
They saw that Ráma was not there,
And turned them sighing in despair.
The people in the royal way
Wept tears of bitter grief, when they
Beheld me coming, from afar,
No Ráma with me in the car.
From palace roof and turret high
Each woman bent her eager eye;
She looked for Ráma, but in vain;
Gazed on the car and shrieked for pain.
Their long clear eyes with sorrow drowned
They, when this common grief was found,
Looked each on other, friend and foe,
In sympathy of levelling woe:
No shade of difference between
Foe, friend, or neutral, there was seen.
Without a joy, her bosom rent
With grief for Ráma's banishment,
Ayodhyá like the queen appears
Who mourns her son with many tears.'
He ended: and the king, distressed.
With sobbing voice that lord addressed:
'Ah me, by false Kaikeyí led,
Of evil race, to evil bred,
I took no counsel of the sage,
Nor sought advice from skill and age,
I asked no lord his aid to lend,
I called no citizen or friend.
Rash was my deed, bereft of sense
Slave to a woman's influence.
Surely, my lord, a woe so great
Palls on us by the will of Fate;
It lays the house of Raghu low,
For Destiny will have it so.
I pray thee, if I e'er have done
An act to please thee, yea, but one,
Fly, fly, and Ráma homeward lead:
My life, departing, counsels speed.
Fly, ere the power to bid I lack,
Fly to the wood: bring Ráma back.
I cannot live for even one
Short hour bereaved of my son.
But ah, the prince, whose arms are strong,
Has journeyed far: the way is long:
Me, me upon the chariot place,
And let me look on Ráma's face.
Ah me, my son, mine eldest-born,
Where roams he in the wood forlorn,
The wielder of the mighty bow,
Whose shoulders like the lion's show?
O, ere the light of life be dim,
Take me to Sítá and to him.
O Ráma, Lakshman, and O thou
Dear Sítá, constant to thy vow,
Beloved ones, you cannot know
That I am dying of my woe.'
The king to bitter grief a prey,
That drove each wandering sense away,
Sunk in affliction's sea. too wide
To traverse, in his anguish cried:
'Hard, hard to pass, my Queen, this sea
Of sorrow raging over me:
No Ráma near to soothe mine eye,
Plunged in its lowest deeps I lie.
Sorrow for Ráma swells the tide,
And Sítá's absence makes it wide:
My tears its foamy flood distain,
Made billowy by my sighs of pain:
My cries its roar, the arms I throw
About me are the fish below,
Kaikeyí is the fire that feeds
Beneath: my hair the tangled weeds:
Its source the tears for Ráma shed:
The hump-back's words its monsters dread:
The boon I gave the wretch its shore,
Till Ráma's banishment be o'er. 1
Ah me, that I should long to set
My eager eyes to-day
On Raghu's son, and he be yet
With Lakshman far away!'
Thus he of lofty glory wailed,
And sank upon the bed.
Beneath the woe his spirit failed,
And all his senses fled.
As thus Sumantra, best of peers,
Told his sad tale with many tears,
The monarch cried, 'I pray thee, tell
At length again what there befell.'
Sumantra, at the king's behest,
Striving with sobs he scarce repressed,
His trembling voice at last controlled,
And thus his further tidings told:
'Their locks in votive coils they wound,
Their coats of bark upon them bound,
To Gangá's farther shore they went,
Thence to Prayág their steps were bent.
I saw that Lakshman walked ahead
To guard the path the two should tread.
So far I saw, no more could learn,
Forced by the hero to return.
Retracing slow my homeward course,
Scarce could I move each stubborn horse:
Shedding hot tears of grief he stood
When Ráma turned him to the wood. 1
As the two princes parted thence
I raised my hands in reverence,
Mounted my ready car, and bore
The grief that stung me to the core.
With Guha all that day I stayed,
Still by the earnest hope delayed
That Ráma, ere the time should end,
Some message from the wood might send.
Thy realms, great Monarch, mourn the blow,
And sympathize with Ráma's woe.
p. 165
Each withering tree hangs low his head,
And shoot, and bud, and flower are dead.
Dried are the floods that wont to fill
The lake, the river, and the rill.
Drear is each grove and garden now,
Dry every blossom on the bough.
Each beast is still, no serpents crawl:
A lethargy of woe on all.
The very wood is silent: crushed
With grief for Ráma, all is hushed.
Fair blossoms from the water born,
Gay garlands that the earth adorn,
And every fruit that gleams like gold,
Have lost the scent that charmed of old.
Empty is every grove I see,
Or birds sit pensive on the tree.
Where'er I look, its beauty o'er,
The pleasance charms not as before.
I drove through fair Ayodhyá's street:
None flew with joy the car to meet.
They saw that Ráma was not there,
And turned them sighing in despair.
The people in the royal way
Wept tears of bitter grief, when they
Beheld me coming, from afar,
No Ráma with me in the car.
From palace roof and turret high
Each woman bent her eager eye;
She looked for Ráma, but in vain;
Gazed on the car and shrieked for pain.
Their long clear eyes with sorrow drowned
They, when this common grief was found,
Looked each on other, friend and foe,
In sympathy of levelling woe:
No shade of difference between
Foe, friend, or neutral, there was seen.
Without a joy, her bosom rent
With grief for Ráma's banishment,
Ayodhyá like the queen appears
Who mourns her son with many tears.'
He ended: and the king, distressed.
With sobbing voice that lord addressed:
'Ah me, by false Kaikeyí led,
Of evil race, to evil bred,
I took no counsel of the sage,
Nor sought advice from skill and age,
I asked no lord his aid to lend,
I called no citizen or friend.
Rash was my deed, bereft of sense
Slave to a woman's influence.
Surely, my lord, a woe so great
Palls on us by the will of Fate;
It lays the house of Raghu low,
For Destiny will have it so.
I pray thee, if I e'er have done
An act to please thee, yea, but one,
Fly, fly, and Ráma homeward lead:
My life, departing, counsels speed.
Fly, ere the power to bid I lack,
Fly to the wood: bring Ráma back.
I cannot live for even one
Short hour bereaved of my son.
But ah, the prince, whose arms are strong,
Has journeyed far: the way is long:
Me, me upon the chariot place,
And let me look on Ráma's face.
Ah me, my son, mine eldest-born,
Where roams he in the wood forlorn,
The wielder of the mighty bow,
Whose shoulders like the lion's show?
O, ere the light of life be dim,
Take me to Sítá and to him.
O Ráma, Lakshman, and O thou
Dear Sítá, constant to thy vow,
Beloved ones, you cannot know
That I am dying of my woe.'
The king to bitter grief a prey,
That drove each wandering sense away,
Sunk in affliction's sea. too wide
To traverse, in his anguish cried:
'Hard, hard to pass, my Queen, this sea
Of sorrow raging over me:
No Ráma near to soothe mine eye,
Plunged in its lowest deeps I lie.
Sorrow for Ráma swells the tide,
And Sítá's absence makes it wide:
My tears its foamy flood distain,
Made billowy by my sighs of pain:
My cries its roar, the arms I throw
About me are the fish below,
Kaikeyí is the fire that feeds
Beneath: my hair the tangled weeds:
Its source the tears for Ráma shed:
The hump-back's words its monsters dread:
The boon I gave the wretch its shore,
Till Ráma's banishment be o'er. 1
Ah me, that I should long to set
My eager eyes to-day
On Raghu's son, and he be yet
With Lakshman far away!'
Thus he of lofty glory wailed,
And sank upon the bed.
Beneath the woe his spirit failed,
And all his senses fled.
Footnotes
164:1 'So in Homer the horses of Achilles lamented with many bitter tears the death of Patroclus slain by Hector:
"Ἵπποι δ᾽ Αἰακίδαο, μάχης ἀπάνευθεν ἐόντες,
Κλᾶιον, ἐπειδὴ πρῶτα πυθέσθην ἡνιόχοιο
Ἐν κονίῃσι πεσόντος ὑφ᾽ Ἕκτορος ἀνδροφόνοιο."
ILIAD. XVII. 426.
Ancient poesy frequently associated nature with the joys and sorrows of man.' GORRESIO.
Next: The Ramayana-Book II-Sec 2 - Canto LX.: Kaus'alyá Consoled.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.