The Ramayana-Book II-Sec 1 - Canto XXVI.: Alone With Sitá
Sept 20, 2018 12:54:18 GMT 1
Post by Anne Terri on Sept 20, 2018 12:54:18 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK II
CANTO XXVI.: ALONE WITH SITÁ
So Ráma, to his purpose true,
To Queen Kaus'alyá bade adieu,
Received the benison she gave,
And to the path of duty clave.
As through the crowded street he passed,
A radiance on the way he cast,
And each fair grace, by all approved,
The bosoms of the people moved.
Now of the woeful change no word
The fair Videhan bride had heard;
The thought of that imperial rite
Still filled her bosom with delight.
With grateful heart and joyful thought
The Gods in worship she had sought,
And, well in royal duties learned,
Sat longing till her lord returned,
Not all unmarked by grief and shame
Within his sumptuous home he came,
And hurried through the happy crowd
With eye dejected, gloomy-browed.
Up Sitá sprang, and every limb
Trembled with fear at sight of him.
She marked that cheek where anguish fed,
Those senses care-disquieted.
For, when he looked on her, no more
Could his heart hide the load it bore,
Nor could the pious chief control
The paleness o'er his cheek that stole.
His altered cheer, his brow bedewed
With clammy drops, his grief she viewed,
And cried, consumed with fires of woe.
'What, O my lord, has changed thee so?
p. 126
Vrihaspati looks down benign,
And the moon rests in Pushya's sign,
As Bráhmans sage this day declare:
Then whence, my lord, this grief and care?
Why does no canopy, like foam
For its white beauty, shade thee home,
Its hundred ribs spread wide to throw
Splendour on thy fair head below?
Where are the royal fans, to grace
The lotus beauty of thy face,
Fair as the moon or wild-swan's wing,
And waving round the new-made king?
Why do no sweet-toned bards rejoice
To hail thee with triumphant voice?
No tuneful heralds love to raise
Loud music in their monarch's praise?
Why do no Bráhmans, Scripture-read,
Pour curds and honey on thy head,
Anointed, as the laws ordain,
With holy rites, supreme to reign?
Where are the chiefs of every guild?
Where are the myriads should have filled
The streets, and followed home their king
With merry noise and triumphing?
Why does no gold-wrought chariot lead
With four brave horses, best for speed?
No elephant precede the crowd
Like a huge hill or thunder cloud,
Marked from his birth for happy fate,
Whom signs auspicious decorate?
Why does no henchman, young and fair,
Precede thee, and delight to bear
Entrusted to his reverent hold
The burthen of thy throne of gold?
Why, if the consecrating rite
Be ready, why this mournful plight?
Why do I see this sudden change,
This altered mien so sad and strange?'
To her, as thus she weeping cried,
Raghu's illustrious son replied:
'Sítá, my honoured sire's decree
Commands me to the woods to flee.
O high-born lady, nobly bred
In the good paths thy footsteps tread,
Hear, Janak's daughter, while I tell
The story as it all befell.
Of old my father true and brave
Two boons to Queen Kaikeyí gave.
Through these the preparations made
For me today by her are stayed,
For he is bound to disallow
This promise by that earlier vow.
In Dandak forest wild and vast
Must fourteen years by me be passed.
My father's will makes Bharat heir,
The kingdom and the throne to share.
Now, ere the lonely wild I seek,
I come once more with thee to speak.
In Bharat's presence, O my dame,
Ne'er speak with pride of Ráma's name:
Another's eulogy to hear
Is hateful to a monarch's ear.
Thou must with love his rule obey
To whom my father yields the sway.
With love and sweet observance learn
His grace, and more the king's, to earn.
Now, that my father may not break
The words of promise that he spake,
To the drear wood my steps are bent:
Be firm, good Sítá, and content.
Through all that time, my blameless spouse,
Keep well thy fasts and holy vows,
Rise from thy bed at break of day,
And to the Gods due worship pay.
With meek and lowly love revere
The lord of men, my father dear,
And reverence to Kaus'alyá show,
My mother, worn with eld and woe:
By duty's law, O best of dames,
High worship from thy love she claims,
Nor to the other queens refuse
Observance, rendering each her dues:
By love and fond attention shown
They are my mothers like mine own.
Let Bharat and S'atrughna bear
In thy sweet love a special share:
Dear as my life, O let them be
Like brother and like son to thee.
In every word and deed refrain
From aught that Bharat's soul may pain:
He is Ayodhyá's king and mine,
The head and lord of all our line.
For those who serve and love them much
With weariless endeavour, touch
And win the gracious hearts of kings.
While wrath from disobedience springs.
Great monarchs from their presence send
Their lawful sons who still offend,
And welcome to the vacant place
Good children of an alien race.
Then, best of women, rest thou here,
And Bharat's will with love revere.
Obedient to thy king remain,
And still thy vows of truth maintain.
To the wide wood my steps I bend:
Make thou thy dwelling here;
See that thy conduct ne'er offend,
And keep my words, my dear.'
So Ráma, to his purpose true,
To Queen Kaus'alyá bade adieu,
Received the benison she gave,
And to the path of duty clave.
As through the crowded street he passed,
A radiance on the way he cast,
And each fair grace, by all approved,
The bosoms of the people moved.
Now of the woeful change no word
The fair Videhan bride had heard;
The thought of that imperial rite
Still filled her bosom with delight.
With grateful heart and joyful thought
The Gods in worship she had sought,
And, well in royal duties learned,
Sat longing till her lord returned,
Not all unmarked by grief and shame
Within his sumptuous home he came,
And hurried through the happy crowd
With eye dejected, gloomy-browed.
Up Sitá sprang, and every limb
Trembled with fear at sight of him.
She marked that cheek where anguish fed,
Those senses care-disquieted.
For, when he looked on her, no more
Could his heart hide the load it bore,
Nor could the pious chief control
The paleness o'er his cheek that stole.
His altered cheer, his brow bedewed
With clammy drops, his grief she viewed,
And cried, consumed with fires of woe.
'What, O my lord, has changed thee so?
p. 126
Vrihaspati looks down benign,
And the moon rests in Pushya's sign,
As Bráhmans sage this day declare:
Then whence, my lord, this grief and care?
Why does no canopy, like foam
For its white beauty, shade thee home,
Its hundred ribs spread wide to throw
Splendour on thy fair head below?
Where are the royal fans, to grace
The lotus beauty of thy face,
Fair as the moon or wild-swan's wing,
And waving round the new-made king?
Why do no sweet-toned bards rejoice
To hail thee with triumphant voice?
No tuneful heralds love to raise
Loud music in their monarch's praise?
Why do no Bráhmans, Scripture-read,
Pour curds and honey on thy head,
Anointed, as the laws ordain,
With holy rites, supreme to reign?
Where are the chiefs of every guild?
Where are the myriads should have filled
The streets, and followed home their king
With merry noise and triumphing?
Why does no gold-wrought chariot lead
With four brave horses, best for speed?
No elephant precede the crowd
Like a huge hill or thunder cloud,
Marked from his birth for happy fate,
Whom signs auspicious decorate?
Why does no henchman, young and fair,
Precede thee, and delight to bear
Entrusted to his reverent hold
The burthen of thy throne of gold?
Why, if the consecrating rite
Be ready, why this mournful plight?
Why do I see this sudden change,
This altered mien so sad and strange?'
To her, as thus she weeping cried,
Raghu's illustrious son replied:
'Sítá, my honoured sire's decree
Commands me to the woods to flee.
O high-born lady, nobly bred
In the good paths thy footsteps tread,
Hear, Janak's daughter, while I tell
The story as it all befell.
Of old my father true and brave
Two boons to Queen Kaikeyí gave.
Through these the preparations made
For me today by her are stayed,
For he is bound to disallow
This promise by that earlier vow.
In Dandak forest wild and vast
Must fourteen years by me be passed.
My father's will makes Bharat heir,
The kingdom and the throne to share.
Now, ere the lonely wild I seek,
I come once more with thee to speak.
In Bharat's presence, O my dame,
Ne'er speak with pride of Ráma's name:
Another's eulogy to hear
Is hateful to a monarch's ear.
Thou must with love his rule obey
To whom my father yields the sway.
With love and sweet observance learn
His grace, and more the king's, to earn.
Now, that my father may not break
The words of promise that he spake,
To the drear wood my steps are bent:
Be firm, good Sítá, and content.
Through all that time, my blameless spouse,
Keep well thy fasts and holy vows,
Rise from thy bed at break of day,
And to the Gods due worship pay.
With meek and lowly love revere
The lord of men, my father dear,
And reverence to Kaus'alyá show,
My mother, worn with eld and woe:
By duty's law, O best of dames,
High worship from thy love she claims,
Nor to the other queens refuse
Observance, rendering each her dues:
By love and fond attention shown
They are my mothers like mine own.
Let Bharat and S'atrughna bear
In thy sweet love a special share:
Dear as my life, O let them be
Like brother and like son to thee.
In every word and deed refrain
From aught that Bharat's soul may pain:
He is Ayodhyá's king and mine,
The head and lord of all our line.
For those who serve and love them much
With weariless endeavour, touch
And win the gracious hearts of kings.
While wrath from disobedience springs.
Great monarchs from their presence send
Their lawful sons who still offend,
And welcome to the vacant place
Good children of an alien race.
Then, best of women, rest thou here,
And Bharat's will with love revere.
Obedient to thy king remain,
And still thy vows of truth maintain.
To the wide wood my steps I bend:
Make thou thy dwelling here;
See that thy conduct ne'er offend,
And keep my words, my dear.'
NEXT The Ramayana-Book II-Sec 1 - Canto XXVII.: Sítá's Speech.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.