The Ramayana-Book II-Sec 1 - Canto VII.: Manthará's Lament.
Sept 14, 2018 8:05:34 GMT 1
Post by Anne Terri on Sept 14, 2018 8:05:34 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK II
CANTO VII.: MANTHARÁ'S LAMENT.
It chanced a slave-born handmaid, bred
With Queen Kaikeyí, fancy-fed,
Mounted the stair and stood upon
The terrace like the moon that shone.
Thence Manthará at ease surveyed
Ayodhyá to her eyes displayed,
Where water cooled the royal street,
Where heaps of flowers were fresh and sweet,
And costly flags and pennons hung
On roof and tower their shadow flung;
With covered ways prepared in haste,
And many an awning newly placed;
With sandal-scented streams bedewed,
Thronged by a new bathed multitude:
Whose streets were full of Bráhman bands
With wreaths and sweetmeats in their hands.
Loud instruments their music raised,
And through the town, where'er she gazed,
The doors of temples glittered white,
And the maid marvelled at the sight.
Of Ráma's nurse who, standing by,
Gazed with a joy-expanded eye,
In robes of purest white attired,
The wondering damsel thus inquired:
'Does Ráma's mother give away
Rich largess to the crowds to-day,
On some dear object fondly bent,
Or blest with measureless content?
What mean these signs of rare delight
On every side that meet my sight?
Say, will the king with joy elate
Some happy triumph celebrate?'
The nurse, with transport uncontrolled,
Her glad tale to the hump-back told:
'Our lord the king to-morrow morn
Will consecrate his eldest-born,
And raise, in Pushya's favouring hour,
Prince Ráma to the royal power.'
As thus the nurse her tidings spoke,
Rage in the hump-back's breast awoke.
Down from the terrace, like the head
Of high Kailása's hill, she sped.
Sin in her thoughts, her soul aflame,
Where Queen Kaikeyí slept, she came:
p. 97
'Why sleepest thou?' she cried, 'arise,
Peril is near, unclose thine eyes.
Ah, heedless Queen, too blind to know
Wnat floods of sin above thee flow!
Thy boasts of love and grace are o'er:
Thine is the show and nothing more.
His favour is an empty cheat,
A torrent dried by summer's heat.'
Thus by the artful maid addressed
In cruel words from raging breast,
The queen, sore troubled, spoke in turn;
'What evil news have I to learn?
That mournful eye, that altered cheek
Of sudden woe or danger speak.'
Such were the words Kaikeyí said:
Then Manthará, her eyeballs red
With fury, skilled with treacherous art
To grieve yet more her lady's heart,
From Ráma, in her wicked hate,
Kaikeyí's love to alienate,
Upon her evil purpose bent
Began again most eloquent:
'Peril awaits thee swift and sure,
And utter woe defying cure;
King Das'aratha will create
Prince Ráma Heir Associate.
Plunged in the depths of wild despair,
My soul a prey to pain and care,
As though the flames consumed me, zeal
Has brought me for my lady's weal,
Thy grief, my Queen, is grief to me:
Thy gain my greatest gain would be.
Proud daughter of a princely line,
The rights of consort queen are thine.
How art thou, born of royal race,
Blind to the crimes that kings debase!
Thy lord is gracious, to deceive,
And flatters, but thy soul to grieve,
While thy pure heart that thinks no sin
Knows not the snares that hem thee in.
Thy husband's lips on thee bestow
Soft soothing word, an empty show:
The wealth, the substance, and the power
This day will be Kaus'alyá's dower.
With crafty soul thy child he sends
To dwell among thy distant friends,
And, every rival far from sight,
To Ráma gives the power and might.
Ah me! for thou, unhappy dame,
Deluded by a husband's name,
With more than mother's love hast pressed
A serpent to thy heedless breast,
And cherished him who works thee woe,
No husband but a deadly foe.
For like a snake, unconscious Queen,
Or enemy who stabs unseen,
King Das'aratha all untrue
Has dealt with thee and Bharat too.
Ah, simple lady, long beguiled
By his soft words who falsely smiled!
Poor victim of the guileless breast,
A happier fate thou meritest.
For thee and thine destruction waits
When he Prince Ráma consecrates.
Up, lady, while there yet is time;
Preserve thyself, prevent the crime.
Up, from thy careless ease, and free
Thyself, O Queen, thy son, and me!'
Delighted at the words she said,
Kaikeyí lifted from the bed,
Like autumn's moon, her radiant head,
And joyous at the tidings gave
A jewel to the hump-back slave;
And as she gave the precious toy
She cried in her exceeding joy:
'Take this, dear maiden, for thy news
Most grateful to mine ear, and choose
What grace beside most fitly may
The welcome messenger repay.
I joy that Ráma gains the throne:
Kaus'alyá's son is as mine own.'
It chanced a slave-born handmaid, bred
With Queen Kaikeyí, fancy-fed,
Mounted the stair and stood upon
The terrace like the moon that shone.
Thence Manthará at ease surveyed
Ayodhyá to her eyes displayed,
Where water cooled the royal street,
Where heaps of flowers were fresh and sweet,
And costly flags and pennons hung
On roof and tower their shadow flung;
With covered ways prepared in haste,
And many an awning newly placed;
With sandal-scented streams bedewed,
Thronged by a new bathed multitude:
Whose streets were full of Bráhman bands
With wreaths and sweetmeats in their hands.
Loud instruments their music raised,
And through the town, where'er she gazed,
The doors of temples glittered white,
And the maid marvelled at the sight.
Of Ráma's nurse who, standing by,
Gazed with a joy-expanded eye,
In robes of purest white attired,
The wondering damsel thus inquired:
'Does Ráma's mother give away
Rich largess to the crowds to-day,
On some dear object fondly bent,
Or blest with measureless content?
What mean these signs of rare delight
On every side that meet my sight?
Say, will the king with joy elate
Some happy triumph celebrate?'
The nurse, with transport uncontrolled,
Her glad tale to the hump-back told:
'Our lord the king to-morrow morn
Will consecrate his eldest-born,
And raise, in Pushya's favouring hour,
Prince Ráma to the royal power.'
As thus the nurse her tidings spoke,
Rage in the hump-back's breast awoke.
Down from the terrace, like the head
Of high Kailása's hill, she sped.
Sin in her thoughts, her soul aflame,
Where Queen Kaikeyí slept, she came:
p. 97
'Why sleepest thou?' she cried, 'arise,
Peril is near, unclose thine eyes.
Ah, heedless Queen, too blind to know
Wnat floods of sin above thee flow!
Thy boasts of love and grace are o'er:
Thine is the show and nothing more.
His favour is an empty cheat,
A torrent dried by summer's heat.'
Thus by the artful maid addressed
In cruel words from raging breast,
The queen, sore troubled, spoke in turn;
'What evil news have I to learn?
That mournful eye, that altered cheek
Of sudden woe or danger speak.'
Such were the words Kaikeyí said:
Then Manthará, her eyeballs red
With fury, skilled with treacherous art
To grieve yet more her lady's heart,
From Ráma, in her wicked hate,
Kaikeyí's love to alienate,
Upon her evil purpose bent
Began again most eloquent:
'Peril awaits thee swift and sure,
And utter woe defying cure;
King Das'aratha will create
Prince Ráma Heir Associate.
Plunged in the depths of wild despair,
My soul a prey to pain and care,
As though the flames consumed me, zeal
Has brought me for my lady's weal,
Thy grief, my Queen, is grief to me:
Thy gain my greatest gain would be.
Proud daughter of a princely line,
The rights of consort queen are thine.
How art thou, born of royal race,
Blind to the crimes that kings debase!
Thy lord is gracious, to deceive,
And flatters, but thy soul to grieve,
While thy pure heart that thinks no sin
Knows not the snares that hem thee in.
Thy husband's lips on thee bestow
Soft soothing word, an empty show:
The wealth, the substance, and the power
This day will be Kaus'alyá's dower.
With crafty soul thy child he sends
To dwell among thy distant friends,
And, every rival far from sight,
To Ráma gives the power and might.
Ah me! for thou, unhappy dame,
Deluded by a husband's name,
With more than mother's love hast pressed
A serpent to thy heedless breast,
And cherished him who works thee woe,
No husband but a deadly foe.
For like a snake, unconscious Queen,
Or enemy who stabs unseen,
King Das'aratha all untrue
Has dealt with thee and Bharat too.
Ah, simple lady, long beguiled
By his soft words who falsely smiled!
Poor victim of the guileless breast,
A happier fate thou meritest.
For thee and thine destruction waits
When he Prince Ráma consecrates.
Up, lady, while there yet is time;
Preserve thyself, prevent the crime.
Up, from thy careless ease, and free
Thyself, O Queen, thy son, and me!'
Delighted at the words she said,
Kaikeyí lifted from the bed,
Like autumn's moon, her radiant head,
And joyous at the tidings gave
A jewel to the hump-back slave;
And as she gave the precious toy
She cried in her exceeding joy:
'Take this, dear maiden, for thy news
Most grateful to mine ear, and choose
What grace beside most fitly may
The welcome messenger repay.
I joy that Ráma gains the throne:
Kaus'alyá's son is as mine own.'
NEXT The Ramayana-Book II-Sec 1 - Canto VIII: Manthará's Speech.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.