The Ramayana-Book V-Sec 1- Canto X.: Rávan Asleep.
Nov 16, 2018 12:29:03 GMT 1
Post by Anne Terri on Nov 16, 2018 12:29:03 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK V
CANTO X.: RÁVAN ASLEEP.
Apart a dais of crystal rose
With couches spread for soft repose.
Adorned with gold and gems of price
Meet for the halls of Paradise.
A canopy was o'er them spread
Pale as the light the moon beams shed,
And female figures, 1 deftly planned,
The faces of the sleepers fanned,
There on a splendid couch, asleep
On softest skins of deer and sheep.
Dark as a cloud that dims the day
The monarch of the giants lay,
Perfumed with sandal's precious scent
And gay with golden ornament.
p. 402
His fiery eyes in slumber closed,
In glittering robes the king reposed
Like Mandar's mighty hill asleep
With flowery trees that clothe his steep.
Near and more near the Vánar
The monarch of the fiends to view,
And saw the giant stretched supine
Fatigued with play and drunk with wine.
While, shaking all the monstrous frame,
His breath like hissing serpents' came.
With gold and glittering bracelets gay
His mighty arms extended lay
Huge as the towering shafts that bear
The flag of Indra high in air.
Scars by Airávat's impressed
Showed red upon his shaggy breast.
And on his shoulders were displayed
The dints the thunder-bolt had made. 1
The spouses of the giant king
Around their lord were slumbering,
And, gay with sparkling earrings, shone
Fair as the moon to look upon.
There by her husband's side was seen
Mandodarífavourite queen,
The beauty of whose youthful face
Beamed a soft glory through the place.
The Vánared the dame more fair
Than all the royal ladies there,
And thought, 'These rarest beauties speak
The matchless dame I come to seek.
Peerless in grace and splendour, she
The Maithil queen must surely be.'
Apart a dais of crystal rose
With couches spread for soft repose.
Adorned with gold and gems of price
Meet for the halls of Paradise.
A canopy was o'er them spread
Pale as the light the moon beams shed,
And female figures, 1 deftly planned,
The faces of the sleepers fanned,
There on a splendid couch, asleep
On softest skins of deer and sheep.
Dark as a cloud that dims the day
The monarch of the giants lay,
Perfumed with sandal's precious scent
And gay with golden ornament.
p. 402
His fiery eyes in slumber closed,
In glittering robes the king reposed
Like Mandar's mighty hill asleep
With flowery trees that clothe his steep.
Near and more near the Vánar
The monarch of the fiends to view,
And saw the giant stretched supine
Fatigued with play and drunk with wine.
While, shaking all the monstrous frame,
His breath like hissing serpents' came.
With gold and glittering bracelets gay
His mighty arms extended lay
Huge as the towering shafts that bear
The flag of Indra high in air.
Scars by Airávat's impressed
Showed red upon his shaggy breast.
And on his shoulders were displayed
The dints the thunder-bolt had made. 1
The spouses of the giant king
Around their lord were slumbering,
And, gay with sparkling earrings, shone
Fair as the moon to look upon.
There by her husband's side was seen
Mandodarífavourite queen,
The beauty of whose youthful face
Beamed a soft glory through the place.
The Vánared the dame more fair
Than all the royal ladies there,
And thought, 'These rarest beauties speak
The matchless dame I come to seek.
Peerless in grace and splendour, she
The Maithil queen must surely be.'
Footnotes
401:1 Women, says Válmíki. But the commentator says that automatic figures only are meant. Women would have seen Hanumán and given the alarm.
Next: The Ramayana-Book V-Sec 1- Canto XI.: The Banquet Hall.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.