The Ramayana-Book V-Sec 1- No Canto V- Canto VI.The Court.
Nov 16, 2018 12:09:45 GMT 1
Post by Anne Terri on Nov 16, 2018 12:09:45 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK V
CANTO VI. 1: THE COURT.
The palace gates were guarded well
By many a Rákshas sentinel,
And far within, concealed from view,
Were dames and female retinue
For charm of form and face renowned;
Whose tinkling armlets made a sound,
Clashed by the wearers in their glee,
Like music of a distant sea.
The hall beyond the palace gate,
Rich with each badge of royal state,
Where lines of noble courtiers stood,
Showed like a lion-guarded wood.
There the wild music rose and fell
Of drum and tabor and of shell,
Through chambers at each holy tide
By solemn worship sanctified.
Through grove and garden, undismayed,
From house to house the Vánar strayed,
And still his wondering glances bent
On terrace, dome, and battlement:
Then with a light and rapid tread
Prahasta's 1b home he visited,
And Kumbhakarna's 2b courtyard where
A cloudy pile rose high in air;
And, wandering o'er the hill, explored
The garden of each Rákshas lord.
Each court and grove he wandered through,
Then nigh to Rávan's palace drew.
She-demons watched it foul of face,
Eace* armed with sword and spear and mace,
And warrior fiends of every hue,
A strange and fearful retinue.
There elephants in many a row,
The terror of the stricken foe.
Huge Airávat, 3b deftly trained
In battle-fields, stood ready chained.
Fair litters on the ground were set
Adorned with gems and golden net.
Gay bloomy creepers clothed the walls;
Green bowers were there and picture halls,
And chambers made for soft delight.
Broad banners waved on every height.
And from the roof like Mandar's hill
The peacock's cry came loud and shrill. 4b
The palace gates were guarded well
By many a Rákshas sentinel,
And far within, concealed from view,
Were dames and female retinue
For charm of form and face renowned;
Whose tinkling armlets made a sound,
Clashed by the wearers in their glee,
Like music of a distant sea.
The hall beyond the palace gate,
Rich with each badge of royal state,
Where lines of noble courtiers stood,
Showed like a lion-guarded wood.
There the wild music rose and fell
Of drum and tabor and of shell,
Through chambers at each holy tide
By solemn worship sanctified.
Through grove and garden, undismayed,
From house to house the Vánar strayed,
And still his wondering glances bent
On terrace, dome, and battlement:
Then with a light and rapid tread
Prahasta's 1b home he visited,
And Kumbhakarna's 2b courtyard where
A cloudy pile rose high in air;
And, wandering o'er the hill, explored
The garden of each Rákshas lord.
Each court and grove he wandered through,
Then nigh to Rávan's palace drew.
She-demons watched it foul of face,
Eace* armed with sword and spear and mace,
And warrior fiends of every hue,
A strange and fearful retinue.
There elephants in many a row,
The terror of the stricken foe.
Huge Airávat, 3b deftly trained
In battle-fields, stood ready chained.
Fair litters on the ground were set
Adorned with gems and golden net.
Gay bloomy creepers clothed the walls;
Green bowers were there and picture halls,
And chambers made for soft delight.
Broad banners waved on every height.
And from the roof like Mandar's hill
The peacock's cry came loud and shrill. 4b
Footnotes
399:1 I omit Canto V. which corresponds to chapter XI. in Gorresio's edition.
That scholar justly observes: "The eleventh chapter, Description of Evening, is certainly the work of the Rhapsodists and an interpolation of later date. The chapter might be omitted without any injury to the action of the poem, and besides the metre, style, conceits and images differ from the general tenour of the poem; and that continual repetition of the same sounds at the end of each hemistich which is not exactly rime, but assonance, reveals the artificial labour of a more recent age.' The following sample will probably be enough. I am unable to show the difference of style in a translation:
Fair shone the moon, as if to lend
His cheering light to guide a friend,
And, circled by the starry host,
Looked down upon the wild sea-coast.
The Vánar cheiftain raised his eyes,
And saw him sailing through the skies
Like a bright swan who joys to take
His pastime on a silver lake;
Fair moon that calms the mourner's pain.
Heaves up the waters of the main,
And o'er the *hie beneath him throws
A tender light of soft repose,
The charm that clings to Mandar's hill,
Gleams in the sea when winds are still,
And decks the lilly's opening flower,
Showed in that moon her sweetest power.
Next: The Ramayana-Book V-Sec 1-Canto VII.: Ravan's Palace.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.