The Ramayana-Book V-Sec 1- Canto IV.: Within The City.
Nov 15, 2018 13:51:52 GMT 1
Post by Anne Terri on Nov 15, 2018 13:51:52 GMT 1
"GOD'S LIVING BIBLE ---- THE THIRD TESTAMENT ----- RESEARCH LIBRARY" ©*
THE RÁMÁYAN OF VÁLMÍKI
Translated into English Verse
BY
RALPH T. H. GRIFFITH, M. A.,
[(Ralph Thomas Hotchkin Griffith), b. 1826 d. 1906]
PRINCIPAL OF THE BENARES COLLEGE
London: Trübner & Co.
Benares: E. J. Lazarus and Co.
[1870-1874]
RAMAYANA-
BOOK V
CANTO IV.: WITHIN THE CITY.
The guardian goddess thus subdued.
The Vanar chief his way pursued,
And reached the broad imperial street
Where fresh-blown flowers were bright and sweet.
The city seemed a fairer sky
Where cloud-like houses rose on high,
Whence the soft sound of tabors came
Through many a latticed window frame,
And ever and anon rang out
The merry laugh and joyous shout.
From house to house the Vanar went
And marked each varied ornament,
Where leaves aud blossoms deftly strung
About the crystal columns hung.
Then soft and full and sweet and clear
The song of women charmed his ear,
And, blending with their dulcet tones,
Their anklets' chime and tinkling zones.
He heard the Rakshas minstrel sing
The praises of their matchless king;
And softly through the evening air
Came murmurings of text and prayer,
Here moved a priest with tonsured head,
And there an eager envoy sped,
Mid crowds with hair in matted twine
Clothed in the skins of deer and kine,--
Whose only arms, which none might blame,
Were blades of grass and holy flame 1b
There savage warriors roamed in bands
With clubs and maces in their bauds,
Some dwarfish forms, some huge of size.
With single ears and single eyes.
Some shone in glittering mail arrayed
With bow and mace and flashing blade;
Fiends of all shapes and every hue,
Some fierce and foul, some fair to view.
p. 399
He saw the grisly legions wait
In strictest watch at Rávan's gate,
Whose palace on the mountain crest
Rose proudly towering o'er the rest,
Fenced with high ramparts from the foe,
And lotus-covered moats below.
But Hanuman, unhindered, found
Quick passage through the guarded bound,
Mid elephants of noblest breed,
And gilded car and neighing steed.
Footnotes
398:1b Priests who fought only with the weapons of religion, the sacred grass used like the verbena of the Romans at sacred rites and the consecrated fire to consume the offering of ghee.
NOTE: CANTO V IS NOT PRESENTED
Next: The Ramayana-Book V-Sec 1- Canto VI. : The Court.
The Ramayana (/rɑːˈmɑːjənə/; Sanskrit: रामायणम्, Rāmāyaṇam [rɑːˈmɑːjəɳəm]) is an ancient Indian epic poem which narrates the struggle of the divine prince Rama to rescue his wife Sita from the demon king Ravana. Along with the Mahabharata, it forms the Hindu Itihasa.
The epic, traditionally ascribed to the Hindu sage Valmiki, narrates the life of Rama, the legendary prince of the Kosala Kingdom. It follows his fourteen-year exile to the forest from the kingdom, by his father King Dasharatha, on request of his second wife Kaikeyi. His travels across forests in India with his wife Sita and brother Lakshmana, the kidnapping of his wife by Ravana, the demon king of Lanka, resulting in a war with him, and Rama's eventual return to Ayodhya to be crowned king.
There have been many attempts to unravel the epic's historical growth and compositional layers; various recent scholars' estimates for the earliest stage of the text range from the 7th to 4th centuries BCE, with later stages extending up to the 3rd century CE. Wikipedia
“God / Brahman Speaking To Anne Terri Through The Holy Spirit: Today is August 25, 2018, and I have Asked Anne to begin to place The Ramayana within Our Research Library, for future links to research areas within. AMEN”
*© NOTICE OF ATTRIBUTION
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.
Scanned at sacred-texts.com by John B. Hare. OCRed and Proofed at Distributed Proofing, Juliet Sutherland, Project Manager. Post-processing, computer programming, and additional proofreading by John B. Hare at sacred-texts.com. This text is in the public domain. These files may be used for any non-commercial purpose provided this notice of attribution is left intact.
Note: This verse translation by Griffith...was scanned in 2000 from an original copy, which had very poor typesetting. Due to the difficulty of converting this 600 page text to etext, the project was put on hold for several years until OCR technology matured. Finally in 2003, the text was OCR-ed and proofed at Distributed Proofing. However, despite best efforts, there are several places in this text where the proofing was difficult or impossible. These are indicated by asterisks or (illegible). We are in the process of cleaning up these issues and hope to have a definitive version of this text at some point. In the meantime we hope you enjoy this epic, which is one of the most popular tales of Indian mythology.